A Collection of Works
2016
2016
2016
2014
2016
2010
2016
2012
2011
2017
2012
2013
2013
2013
Peter Konsterlie (1963-2018) was an award-winning artist with over twenty-five years of experience in all areas of Fine Art, Design, Film, and Video Production. Graduating from the Minneapolis College of Art and Design, he became an accomplished painter, with exhibitions that included The Aldrich Contemporary Museum, Minneapolis Institute of Art, The Plains Art Museum, Carnegie Mellon in Washington D.C., Westport Art Center, Sacred Heart University, and the Sarah Bowen Gallery in Williamsburg New York. Konsterlie’s works are featured in numerous public and private collections including Disney Studios, Guthrie Theater, Mighty Ducks Features, Mall of America, Minnesota State Fair, and the P.T. Barnum Museum. His community efforts included Altered Book Auction for the Westport library, NUTUREart, Art for Haiti, Aids Awareness Auction, Green Chimneys, Aids Benefit, Kids with Disabilities, Children Defense Fund, Beat the Odds, and Charles Schultz Tribute for 9/11 heroes. Peter was a professor of art history at the University of Bridgeport’s Shintaro Akatsu School of Design (SASD) and the director for the Schelfhaudt gallery at the University curating many remarkable shows.
Artist Statement
Drips of paint and spray painted patterns become a structure for images to bleed through and meld with; tag sale items and other discards are employed. Growing up I loved artists who relied on assemblage as their way of creating. Now I feel the days of Rauschenberg are over. I’m interested in creating a “whole” painting, not a composition of parts. I believe pattern can build structure and repeating patterns hold power. Dots are a reference to Lichtenstein but also celebrate the difference between automatic marks and gestural brushwork. Lately I’ve considered how line and color are distinct devices – having always believed color informs shape, now I see color as a different expressive avenue, an element discrete from line. Color embodies a gestural approach in my line work, and an analytical mark in painting. My drips are the painting’s aspect and color introduce a pattern.